Folk singer Reshma was born in 1947, the historic year when India and Pakistan gained independence from British rule.
She was born in India, but her family migrated to Pakistan when she was a month old. Small wonder, then, that Reshma's unconventionally husky voice won admirers on both sides of the international border.
Reshma, who died earlier this week after a battle with throat cancer, was best known for her distinctive rendition of Punjabi folk songs. For her fans, she was the "Nightingale of the Desert" and her death at the age of 66 was a fresh blow to the arts in Pakistan, coming a year after ghazal singer Mehdi Hassan's death.
Despite her fame, Reshma was modest. She dressed conservatively in a salwar kameez  and was rarely seen without a dupatta  covering her head. And her mehfils (public performances) were devoid of histrionics.
"Reshma was a magician who could kill with her voice. She was the first lady of Pakistani folk music," Shaukat Ali, Reshma's friend and a folk singer, said by phone, speaking from Lahore, Pakistan.
Reshma's talent was discovered in the 1960′s by a former Radio Pakistan producer, who heard her singing at the shrine of a Sufi saint. The young girl, used to singing in the open, was petrified when she saw a recording studio for the first time.
"She refused to enter the studio, and said a man was standing inside, referring to the pillar-like structure that was actually the microphone," said Sarvat Ali Khan, a Radio Pakistan producer, whose father composed most of her songs.
Reshma made a successful debut on radio, and her rendition of "Dama Dam Mast Qalandar" - a traditional song praising a Sufi mystic in spiritual ecstasy - was her first hit.
Perhaps her most famous song is "Lambi Judaai"' (A Long Separation), which Reshma sang for her Bollywood debut in 1983.
Indian filmmaker Subhash Ghai heard Reshma singing live during her first visit to the country of her birth. It was the early 1980′s, a time when the singer met late Prime Minister Indira Gandhi and sang at private mehfils, including one at filmmaker and actor Raj Kapoor's house.
Ghai remembers how Reshma sat still and avoided meeting anyone's eyes while singing.
"Her singing was so powerful that her words resounded without the microphone," the director said.